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Computer Music Modeling and Retrieval : Second International Symposium, CMMR 2004, Esbjerg, Denmark, May 26-29, 2004. Revised Papers / edited by Uffe Kock Wiil.

Por: Colaborador(es): Tipo de material: TextoTextoSeries Lecture Notes in Computer Science ; 3310Editor: Berlin, Heidelberg : Springer Berlin Heidelberg, 2005Descripción: xI, 371 páginas recurso en líneaTipo de contenido:
  • texto
Tipo de medio:
  • computadora
Tipo de portador:
  • recurso en línea
ISBN:
  • 9783540318071
Formatos físicos adicionales: Edición impresa:: Sin títuloClasificación LoC:
  • QA75.5-76.95
Recursos en línea:
Contenidos:
Pitch, Melody Detection -- Separating Voices in Polyphonic Music: A Contig Mapping Approach -- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings -- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies -- Rhythm, Tempo, Beat -- Determination of Perceptual Tempo of Music -- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System -- A Causal Rhythm Grouping -- Music Generation, Knowledge -- Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms -- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy -- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems -- Music Performance, Rendering, Interface -- Internet Archive of Electronic Music IAEM – internet Audio Rendering System iARS -- Handel, a Free-Hands Gesture Recognition System -- Open and Closed Form in Interactive Music -- Collaborative Computer-Aided Parameter Exploration for Music and Animation -- Music Scores, Synchronization -- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music -- Score-PCM Music Synchronization Based on Extracted Score Parameters -- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing -- Synthesis, Timbre, Musical Playing -- Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions -- Perceptive and Cognitive Evaluation of a Piano Synthesis Model -- The Clarinet Timbre as an Attribute of Expressiveness -- Music Representation, Retrieval -- A Graph Theoretic Approach to Melodic Similarity -- A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases -- Methods for Combining Statistical Models of Music -- Constraint-Based Melody Representation -- Music Analysis -- Music Segmentation: An XML-oriented Approach -- Evolutionary Optimization of Music Performance Annotation -- Parichaykrama – An Exploratory Interface of Indian Classical Music Using Experiential Framework.
Resumen: This book constitutes the thoroughly refereed post-proceedings of the International Computer Music Modeling and Retrieval Symposium, CMMR 2004, held in Esbjerg, Denmark in May 2004. The 26 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics. The papers are organized in topical sections on pitch and melody detection; rhythm, tempo, and beat; music generation and knowledge; music performance, rendering, and interfaces; music scores and synchronization; synthesis, timbre, and musical playing; music representation and retrieval; and music analysis.
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Springer eBooks

Pitch, Melody Detection -- Separating Voices in Polyphonic Music: A Contig Mapping Approach -- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings -- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies -- Rhythm, Tempo, Beat -- Determination of Perceptual Tempo of Music -- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System -- A Causal Rhythm Grouping -- Music Generation, Knowledge -- Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms -- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy -- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems -- Music Performance, Rendering, Interface -- Internet Archive of Electronic Music IAEM – internet Audio Rendering System iARS -- Handel, a Free-Hands Gesture Recognition System -- Open and Closed Form in Interactive Music -- Collaborative Computer-Aided Parameter Exploration for Music and Animation -- Music Scores, Synchronization -- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music -- Score-PCM Music Synchronization Based on Extracted Score Parameters -- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing -- Synthesis, Timbre, Musical Playing -- Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions -- Perceptive and Cognitive Evaluation of a Piano Synthesis Model -- The Clarinet Timbre as an Attribute of Expressiveness -- Music Representation, Retrieval -- A Graph Theoretic Approach to Melodic Similarity -- A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases -- Methods for Combining Statistical Models of Music -- Constraint-Based Melody Representation -- Music Analysis -- Music Segmentation: An XML-oriented Approach -- Evolutionary Optimization of Music Performance Annotation -- Parichaykrama – An Exploratory Interface of Indian Classical Music Using Experiential Framework.

This book constitutes the thoroughly refereed post-proceedings of the International Computer Music Modeling and Retrieval Symposium, CMMR 2004, held in Esbjerg, Denmark in May 2004. The 26 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics. The papers are organized in topical sections on pitch and melody detection; rhythm, tempo, and beat; music generation and knowledge; music performance, rendering, and interfaces; music scores and synchronization; synthesis, timbre, and musical playing; music representation and retrieval; and music analysis.

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