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008 | 150903s2009 xxu| o |||| 0|eng d | ||
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_a9780387095172 _9978-0-387-09517-2 |
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024 | 7 |
_a10.1007/9780387095172 _2doi |
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_a201509030442 _bVLOAD _c201404121642 _dVLOAD _c201404091420 _dVLOAD _c201401311314 _dstaff _y201401291437 _zstaff _wmsplit0.mrc _x84 |
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050 | 4 | _aQC221-246 | |
100 | 1 |
_aMeyer, Jürgen. _eautor _9300397 |
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245 | 1 | 0 |
_aAcoustics and the Performance of Music : _bManual for Acousticians, Audio Engineers, Musicians, Architects and Musical Instrument Makers / _cby Jürgen Meyer. |
264 | 1 |
_aNew York, NY : _bSpringer New York : _bImprint: Springer, _c2009. |
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300 | _brecurso en línea. | ||
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_atexto _btxt _2rdacontent |
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_acomputadora _bc _2rdamedia |
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_arecurso en línea _bcr _2rdacarrier |
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_aarchivo de texto _bPDF _2rda |
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490 | 0 | _aModern Acoustics and Signal Processing | |
500 | _aSpringer eBooks | ||
505 | 0 | _ato Acoustics -- Structure of Musical Sound -- Tonal Characteristics of Musical Instruments -- Directional Characteristics -- Foundations of Room Acoustics -- Acoustical Properties of Old and New Performance Spaces -- Seating Arrangement in the Concert Hall -- Acoustic Considerations for Instrumentation and Playing Technique -- Acoustical Problems in the Opera House. | |
520 | _aAcoustics and the Performance of Music connects scientific understandings of acoustics with practical applications to musical performance. Of central importance are the tonal characteristics of musical instruments and the singing voice including detailed representations of directional characteristics. Furthermore, room acoustical concerns related to concert halls and opera houses are considered. Based on this, suggestions are made for musical performance. Included are seating arrangements within the orchestra and adaptations of performance techniques to the performance environment. In the presentation we dispense with complicated mathematical connections and deliberately aim for conceptual explanations accessible to musicians, particularly for conductors. The graphical representations of the directional dependence of sound radiation by musical instruments and the singing voice are unique. Since the first edition was published in 1978, this book has been completely revised and rewritten to include current research. This translation corresponds to the latest (fifth) German edition (2004), which has become a standard reference work for audio engineers and scientists. Acoustics and the Performance of Music addresses issues that are of interest to acousticians, orchestra performers and conductors, audio engineers, architects. Researchers and students of musical acoustics will also find this text valuable. | ||
590 | _aPara consulta fuera de la UANL se requiere clave de acceso remoto. | ||
710 | 2 |
_aSpringerLink (Servicio en línea) _9299170 |
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_iEdición impresa: _z9780387095165 |
856 | 4 | 0 |
_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-0-387-09517-2 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL) |
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