000 02954nam a22003735i 4500
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003 MX-SnUAN
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007 cr nn 008mamaa
008 150903s2007 xxu| o |||| 0|eng d
020 _a9780387325767
_99780387325767
024 7 _a10.1007/9780387325767
_2doi
035 _avtls000330978
039 9 _a201509030211
_bVLOAD
_c201404121736
_dVLOAD
_c201404091513
_dVLOAD
_c201401311358
_dstaff
_y201401301158
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aQC221-246
100 1 _aBeauchamp, James W.
_eeditor.
_9300508
245 1 0 _aAnalysis, Synthesis, and Perception of Musical Sounds :
_bThe Sound of Music /
_cedited by James W. Beauchamp.
264 1 _aNew York, NY :
_bSpringer New York,
_c2007.
300 _axxiv, 325 páginas,
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
490 0 _aModern Acoustics and Signal Processing
500 _aSpringer eBooks
505 0 _aAnalysis and Synthesis of Musical Instrument Sounds -- Fundamental Frequency Tracking and Applications to Musical Signal Analysis -- Beyond Traditional Sampling Synthesis: Real-Time Timbre Morphing Using Additive Synthesis -- A Compact and Malleable Sines+Transients+Noise Model for Sound -- Spectral Envelopes and Additive + Residual Analysis/Synthesis -- A Comparison of Wavetable and FM Data Reduction Methods for Resynthesis of Musical Sounds -- The Effect of Dynamic Acoustical Features on Musical Timbre -- Mental Representation of the Timbre of Complex Sounds.
520 _aAnalysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9780387324968
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-0-387-32576-7
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
942 _c14
999 _c277603
_d277603