000			03554nam a22003975i 4500
001			282134
003			MX-SnUAN
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007			cr nn 008mamaa
008			150903s2009 ne | o |||| 0|eng d
020			_a9781402057809 _99781402057809
024	7		_a10.1007/9781402057809 _2doi
035			_avtls000335341
039		9	_a201509030748 _bVLOAD _c201404300300 _dVLOAD _y201402041258 _zstaff
040			_aMX-SnUAN _bspa _cMX-SnUAN _erda
050		4	_aB1-5802
100	1		_aBraembussche, Antoon. _eeditor. _9308508
245	1	0	_aIntercultural Aesthetics : _bA Worldview Perspective / _cedited by Antoon Braembussche, Heinz Kimmerle, Nicole Note.
264		1	_aDordrecht : _bSpringer Netherlands, _c2009.
300			_brecurso en línea.
336			_atexto _btxt _2rdacontent
337			_acomputadora _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_aarchivo de texto _bPDF _2rda
490	0		_aEinstein Meets Margritte: An Interdisciplinary Reflection on Science, Nature, Art, Human Action and Society ; _v9
500			_aSpringer eBooks
505	0		_aIntercultural Aesthetics: An Introduction -- An Intercultural Approach to a World Aesthetics -- Living – in between – Cultures -- Living (with) Art: The African Aesthetic Worldview as an Inspiration for the Western Philosophy of Art -- The Origins of Landscape Painting: An Intercultural Perspective -- Nishida, Aesthetics, and the Limits of Cultural Synthesis -- Identity and Hybridity – Chinese Culture and Aesthetics in the Age of Globalization -- The Rasa Theory: A Challenge for Intercultural Aesthetics -- Presenting the Unpresentable. On Trauma and Visual Art -- Visual Archives and the Holocaust: Christian Boltanski, Ydessa Hendeles and Peter Forgacs -- A Distant Laughter: The Poetics of Dislocation -- Where You End and I Begin – The Multiple Ethics of Contemporary Art Practice -- The Ethics of the Wound.
520			_aIn this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept ‘Intercultural aesthetics’ creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as ‘the suchness of things’, ‘dancing and shaping lives’, ‘presenting a meaning beyond words, presenting the unpresentable, experiencing’, in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.
590			_aPara consulta fuera de la UANL se requiere clave de acceso remoto.
700	1		_aKimmerle, Heinz. _eeditor. _9308509
700	1		_aNote, Nicole. _eeditor. _9308510
710	2		_aSpringerLink (Servicio en línea) _9299170
776	0	8	_iEdición impresa: _z9781402045073
856	4	0	_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-4020-5780-9 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999			_c282134 _d282134