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008 150903s2011 ne | o |||| 0|eng d
020 _a9781402057861
_99781402057861
024 7 _a10.1007/9781402057861
_2doi
035 _avtls000335344
039 9 _a201509030748
_bVLOAD
_c201404300300
_dVLOAD
_y201402041258
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aNX1-820
100 1 _aWetering, Ernst.
_eautor
_9308636
245 1 2 _aA Corpus of Rembrandt Paintings :
_bSmall-Scale History Paintings /
_cby Ernst Wetering.
264 1 _aDordrecht :
_bSpringer Netherlands :
_bImprint: Springer,
_c2011.
300 _axviii, 674 páginas 898 ilustraciones, 629 ilustraciones en color.
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
490 0 _aStichting Foundation Rembrandt Research Project ;
_v5
500 _aSpringer eBooks
505 0 _aPreface -- Bibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
520 _aThis is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills – known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9781402046070
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-4020-5786-1
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999 _c282190
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