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008			150903s2009 ne | o |||| 0|eng d
020			_a9781402056383 _99781402056383
024	7		_a10.1007/9781402056383 _2doi
035			_avtls000335273
039		9	_a201509030747 _bVLOAD _c201404300259 _dVLOAD _y201402041256 _zstaff
040			_aMX-SnUAN _bspa _cMX-SnUAN _erda
050		4	_aNX1-820
100	1		_aBraembussche, Antoon. _eautor _9308508
245	1	0	_aThinking Art : _bAn Introduction to Philosophy of Art / _cby Antoon Braembussche.
264		1	_aDordrecht : _bSpringer Netherlands, _c2009.
300			_axxI, 326 páginas _brecurso en línea.
336			_atexto _btxt _2rdacontent
337			_acomputadora _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_aarchivo de texto _bPDF _2rda
500			_aSpringer eBooks
505	0		_aThe Nature of Art: Classical Answers to the Question “What Is Art?” -- Introduction: What Is Philosophy of Art? -- The Nature of Art: Classical Answers to the Question “What Is Art?” -- The Imitation Theory -- Expression Theories -- Formalism -- Art as a Synthesis of Form and Expression -- Aesthetic Judgment: The Legacy of Kant -- Art in a Historical and Social Perspective -- ‘The End of Art’: The Contemporary Interest in Hegel -- Art and Society: A Neomarxist Perspective -- The Language of Art: From Phenomenology to Poststructuralism -- The Phenomenological Perspective -- The Modern Version of Formalism: The Semiotic Point of View -- The Post-structuralist Perspective -- Epilogue.
520			_aIn the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with a real exploration of art practice. Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist’s studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail. Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.
590			_aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710	2		_aSpringerLink (Servicio en línea) _9299170
776	0	8	_iEdición impresa: _z9781402056376
856	4	0	_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-4020-5638-3 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999			_c282726 _d282726