000 03789nam a22003615i 4500
001 285088
003 MX-SnUAN
005 20160429154350.0
007 cr nn 008mamaa
008 150903s2011 xxu| o |||| 0|eng d
020 _a9781441973054
_99781441973054
024 7 _a10.1007/9781441973054
_2doi
035 _avtls000338913
039 9 _a201509030311
_bVLOAD
_c201404300352
_dVLOAD
_y201402060922
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aCC1-960
100 1 _aSilverman, Helaine.
_eeditor.
_9301712
245 1 0 _aContested Cultural Heritage :
_bReligion, Nationalism, Erasure, and Exclusion in a Global World /
_cedited by Helaine Silverman.
264 1 _aNew York, NY :
_bSpringer New York,
_c2011.
300 _ax, 300 páginas 40 ilustraciones
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
500 _aSpringer eBooks
505 0 _a1 Contested Cultural Heritage: A Selective Historiography, Helaine Silverman -- 2 The Stratigraphy of Forgetting: The Great Mosque of Cordoba and Its Contested Legacy, D. Fairchild Ruggles -- 3 Aestheticized Geographies of Conflict: The Politicization of Culture and the Culture of Politics in Belfast’s Mural Tradition, Alexandra Hartnett -- 4 Blood of Our Ancestors: Cultural Heritage Management in the Balkans, Michael L. Galaty -- 5 Re-imagining the National Past: Negotiating the Roles of Science, Religion, and History in Contemporary British Ghost Tourism, Michele M. Hanks -- 6 Collecting and Repatriating Egypt’s Past: Toward a New Nationalism, Salima Ikram -- 7 National Identity Interrupted: The Mutilation of the Parthenon Marbles and the Greek Claim for Repatriation, Vasiliki Kynourgioupoulou -- 8 Syrian National Museums: Regional Politics and the Imagined Community, Kari A. Zobler -- 9 Contestation from the Top: Fascism in the Realm of Culture and Italy’s Conception of the Past, Alvaro Higueras -- 10 Touring the Slave Route: Inaccurate Authenticities in Bénin, West Africa, Timothy R. Landry -- 11 Carving the Nation: Zimbabwean Sculptors and the Contested Heritage of Aesthetics, Lance L. Larkin -- Afterword, El Pilar and Maya Cultural Heritage: Reflections of a Cheerful Pessimist, Anabel Ford.
520 _aCultural heritage is material – tangible and intangible – that signifies a culture’s history or legacy. It has become a venue for contestation, ranging in scale from protesting to violently claimed and destroyed. But who defines what is to be preserved and what is to be erased? As cultural heritage becomes increasingly significant across the world, the number of issues for critical analysis and, hopefully, mediation, arise. The issue stems from various groups: religious, ethnic, national, political, and others come together to claim, appropriate, use, exclude, or erase markers and manifestations of their own and others’ cultural heritage as a means for asserting, defending, or denying critical claims to power, land, and legitimacy. Can cultural heritage be well managed and promoted while at the same time kept within parameters so as to diminish contestation? The cases herein rage from Greece, Spain, Egypt, the UK, Syria, Zimbabwe, Italy, the Balkans, Bénin, and Central America.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9781441973047
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-4419-7305-4
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
942 _c14
999 _c285088
_d285088