000			03829nam a22003735i 4500
001			285858
003			MX-SnUAN
005			20160429154428.0
007			cr nn 008mamaa
008			150903s2009 xxu| o |||| 0|eng d
020			_a9781441900722 _99781441900722
024	7		_a10.1007/9781441900722 _2doi
035			_avtls000337898
039		9	_a201509030809 _bVLOAD _c201404300336 _dVLOAD _y201402060857 _zstaff
040			_aMX-SnUAN _bspa _cMX-SnUAN _erda
050		4	_aCC1-960
100	1		_aSilverman, Helaine. _eeditor. _9301712
245	1	0	_aIntangible Heritage Embodied / _cedited by Helaine Silverman, D. Fairchild Ruggles.
264		1	_aNew York, NY : _bSpringer New York, _c2009.
300			_brecurso en línea.
336			_atexto _btxt _2rdacontent
337			_acomputadora _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_aarchivo de texto _bPDF _2rda
500			_aSpringer eBooks
505	0		_aFrom Tangible to Intangible Heritage -- The Heritage of Kunqu: Preserving Music and Theater Traditions in China -- Partition Memories: The Hidden Healer -- Gardens and Landscapes: At the Hinge of Tangible and Intangible Heritage -- Preserving the Cultural Landscape Heritage of Champaner-Pavagadh, Gujarat, India -- Governance and Conservation of the Rapaz Khipu Patrimony -- Geographies of Memory and Identity in Oceania -- Combating Attempts of Elision: African American Accomplishments at New Philadelphia, Illinois -- Folk Epigraphy at the World Trade Center, Oklahoma City, and Beyond -- Problematizing Technologies for Documenting Intangible Culture: Some Positive and Negative Consequences.
520			_aArchaeological research has long focused on studying tangible artifacts to build a picture of the cultures it examines. Equally important to understanding a culture, however, are the intangible elements that become part of its heritage. In 2003, UNESCO adopted a convention specifically to protect intangible heritage, including the following: oral traditions and expressions, including language; performing arts (such as traditional music, dance, and theater); social practices, rituals, and festive events; knowledge and practices concerning nature and the universe; and traditional craftsmanship. Since this convention was adopted, scholars and preservationists have struggled with how to best approach intangible heritage. This volume specifically focuses on embodied intangible heritage, or the human body as a vehicle for memory, movement, and sound. The contributors to this work examine ritual and artistic movement, theater, music, oral literature, as well as the role of the internet in cultural transmission. Globalization and particularly the internet, has a complex effect on the transmission of intangible heritage: while music, dance, and other expressions are now shared easily, the performances often lack context and may be shared with a group that does not fully understand what they are seeing or hearing. This volume draws on case studies from around the world to examine the problems and possibilities of implementing the new UNESCO convention. The findings in this volume will be vital to both professionals and academics in anthropology, archaeology, history, museum studies, architecture, and anyone else who deals with issues of cultural heritage and preservation.
590			_aPara consulta fuera de la UANL se requiere clave de acceso remoto.
700	1		_aRuggles, D. Fairchild. _eeditor. _9305304
710	2		_aSpringerLink (Servicio en línea) _9299170
776	0	8	_iEdición impresa: _z9781441900715
856	4	0	_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-4419-0072-2 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
942			_c14
999			_c285858 _d285858