000 02797nam a22003735i 4500
001 289331
003 MX-SnUAN
005 20160429154706.0
007 cr nn 008mamaa
008 150903s2005 xxu| o |||| 0|eng d
020 _a9781568986586
_99781568986586
024 7 _a10.1007/1568986580
_2doi
035 _avtls000342784
039 9 _a201509030205
_bVLOAD
_c201404120943
_dVLOAD
_c201404090721
_dVLOAD
_y201402061135
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aNA1995
100 1 _aKleinman, Kent.
_eautor
_9319506
245 1 0 _aMies van der Rohe The Krefeld Villas /
_cby Kent Kleinman, Leslie Duzer.
264 1 _aNew York, NY :
_bPrinceton Archit.Press,
_c2005.
300 _a144 páginas
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
500 _aSpringer eBooks
505 0 _aKlein’s kleine Kammer -- LeWitt and the Art of Instructions -- Serra and the Anti-Environment -- Windows and Other Weaknesses -- Conclusion.
520 _aWith all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest consideration - and receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brick residences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said. As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
700 1 _aDuzer, Leslie.
_eautor
_9319507
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9781568985039
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/1-56898-658-0
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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