000 02407nam a22003615i 4500
001 289381
003 MX-SnUAN
005 20160429154708.0
007 cr nn 008mamaa
008 150903s2005 xxu| o |||| 0|eng d
020 _a9781568986593
_99781568986593
024 7 _a10.1007/1568986599
_2doi
035 _avtls000342785
039 9 _a201509030205
_bVLOAD
_c201404120943
_dVLOAD
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_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aNX1-820
100 1 _aHustvedt, Siri.
_eautor
_9176615
245 1 0 _aMysteries of the Rectangle :
_bEssays on Painting /
_cby Siri Hustvedt.
264 1 _aNew York, NY :
_bPrinceton Archit.Press,
_c2005.
300 _a204 páginas 50 ilustraciones en color.
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
500 _aSpringer eBooks
505 0 _aThe Pleasures of Bewilderment -- Vermeer’s Annunciation -- The Man with the Red Crayon -- Ghosts at the Table -- Narratives in the Body: Goya’s Los Caprichos -- More Goya: “There Are No Rules in Painting” -- Giorgio Morandi: Not Just Bottles -- Joan Mitchell: Remembering in Color -- Gerhard Richter: Why Paint?.
520 _aIn Mysteries of the Rectangle, Hustvedt concentrates her narrative gifts on the works of such masters as Francisco Goya, Jan Vermeer, Jean-Baptiste-Siméon Chardin, Gerhard Richter, and Joan Mitchell. Through her own personal experiences, Hustvedt is able to reveal things until now hidden in plain sight: an egglike detail in Vermeer's Woman with a Pearl Necklace and the many hidden self-portraits in Goya's series of drawings, Los Caprichos, as well as in his infamous painting The Third of May. Most importantly, these essays exhibit the passion, thrill, and sheer pleasure of bewilderment a work of art can produce—if you simply take the time to look.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9781568985183
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/1-56898-659-9
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999 _c289381
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