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020 _a9781848823716
_99781848823716
024 7 _a10.1007/9781848823716
_2doi
035 _avtls000344428
039 9 _a201509030403
_bVLOAD
_c201405050307
_dVLOAD
_y201402061256
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
050 4 _aQA76.9.U83
100 1 _aObendorf, Hartmut.
_eautor
_9321646
245 1 0 _aMinimalism :
_bDesigning Simplicity /
_cby Hartmut Obendorf.
264 1 _aLondon :
_bSpringer London,
_c2009.
300 _brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
490 0 _aHuman-Computer Interaction Series,
_x1571-5035
500 _aSpringer eBooks
505 0 _aDesigning for an Age of Complexity -- Minimalism: Introduction and Synopsis -- Defining Minimalism -- In Search of “Minimalism”— Roving in Art, Music and Elsewhere -- Minimalism for Interaction Design: a Proposal -- Rethinking Minimalism -- Minimalism, Industrial Design and HCI -- Minimalism, Simplicity and Rules of Design -- Applying Minimalism -- Detecting the Minimal -- Designing the Minimal -- Reflections on Minimalism -- Minimalism Revisited -- Minimal Aesthetics -- Unconnected Ends -- Conclusion.
520 _aIn this age of complexity, simple, powerful systems are an ideal of interaction design. This book introduces minimalism and helps to make sense of reduction, and in doing so unravels some of the mysteries of simplicity. Minimalism becomes an essential tool to help visualise the simple, and to unveil and instantiate patterns for designing simplicity. Divided into five parts, the first delivers an introduction to the concept of minimalism and overviews the main themes covered in the book; Part two retraces the history of minimalism in art and music illustrating the breadth of concepts underlying works characterized as minimal, and showing the recurrence of these attributes in different disciplines. Four kinds of minimalism for interaction design are defined. The third part connects the concepts developed in the book to current thinking in HCI, examining norms, rules and guidelines. In part four, the simplicity of real designs is examined from a minimal perspective, and tools for different forms of reduction in design are discussed. The final section returns to more theoretical discussions of the notions of minimalism, re-evaluating the product and process threads for the changes brought about for the understanding of minimalism and the relation of aesthetics and minimalism in design. The book concludes with a look at issues and limitations that lie unanswered, and some of their possible resolutions.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9781848823709
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-84882-371-6
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999 _c290743
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