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001			291643
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007			cr nn 008mamaa
008			150903s2007 xxk| o |||| 0|eng d
020			_a9781846286407 _99781846286407
024	7		_a10.1007/9781846286407 _2doi
035			_avtls000343924
039		9	_a201509030352 _bVLOAD _c201405050259 _dVLOAD _y201402061243 _zstaff
040			_aMX-SnUAN _bspa _cMX-SnUAN _erda
100	1		_aSethares, William A. _eautor _9323037
245	1	0	_aRhythm and Transforms / _cby William A. Sethares.
264		1	_aLondon : _bSpringer London, _c2007.
300			_axiv, 336 páginas 170 ilustraciones _brecurso en línea.
336			_atexto _btxt _2rdacontent
337			_acomputadora _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_aarchivo de texto _bPDF _2rda
500			_aSpringer eBooks
505	0		_aWhat is Rhythm? -- Visualizing and Conceptualizing Rhythm -- Varieties of Rhythmic Experience -- Auditory Perception -- Transforms -- Adaptive Oscillators -- Statistical Models -- Automated Rhythm Analysis -- Beat-based Signal Processing -- Musical Composition and Recomposition -- Musical Analysis via Feature Scores -- Speculations, Interpretations, Conclusions.
520			_aPeople quite naturally identify the rhythmic structure of music as they tap their feet and sway in time with the beat. Underlying such mundane motions is an act of cognition that is not easily reproduced in a computer program or automated by machine. Rhythm and Transforms asks (and answers) the question: How can we build a device that can "tap its foot" along with the music? The result is a tool for detecting and measuring the temporal aspects of a musical performance: the periodicities, the regularities (and irregularities), the beat, the rhythm. The impact of such a "rhythm meter" on music theory and on the design of sound processing electronics such as musical synthesizers, drum machines, and special effects devices is described. The "rhythm meter" provides a concrete basis for a discussion of the relationship between the cognitive processing of temporal information and the mathematical techniques used to describe and understand regularities in data. Rhythm and Transforms will be of interest to engineers and others interested in the design of audio devices such as musical synthesizers, special effects devices, drum machines, and electronic keyboards. It will be useful to musicians and composers who exploit computer-based tools in the creation and the recording process. It will be of use to arrangers, musicologists, and others interested in musical analysis. Rhythm and Transforms provides a unique approach to working with environmental sounds, and there are clear applications to the synchronization of audio with video (i.e., film scoring). Finally, the target audience also includes those interested in the way the ear works, and how this influences the types of sound patterns we like to listen to.
590			_aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710	2		_aSpringerLink (Servicio en línea) _9299170
776	0	8	_iEdición impresa: _z9781846286391
856	4	0	_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-1-84628-640-7 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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