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020 _a9783211307625
_99783211307625
024 7 _a10.1007/3211307621
_2doi
035 _avtls000345398
039 9 _a201509030742
_bVLOAD
_c201404121304
_dVLOAD
_c201404091041
_dVLOAD
_y201402061335
_zstaff
040 _aMX-SnUAN
_bspa
_cMX-SnUAN
_erda
100 1 _aVerstegen, Ian.
_eautor
_9325157
245 1 0 _aArnheim, Gestalt and Art :
_bA Psychological Theory /
_cby Ian Verstegen.
264 1 _aVienna :
_bSpringer Vienna,
_c2005.
300 _avii, 188 páginas 18 figs.
_brecurso en línea.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _aarchivo de texto
_bPDF
_2rda
500 _aSpringer eBooks
505 0 _aWhy Arnheim? Why Gestalt? -- Arnheim and Different Approaches to the Psychology of Art -- Expression, Symbolism and Visual Thinking -- The Senses, Perceptual Objects and Their Dynamics -- The Notorious Gestalt Brain Model -- The Dynamics of Pictorial, Sculptural and Architectural Form -- The Dynamics of Pantomimic Form -- The Dynamics of Musical Form -- The Dynamics of Poetic Form -- Art in Comparative Perspective: Children, Adults, Cultures -- The Dynamics of Microgenetic Artistic Development -- Individual Artistic Development -- The Dynamics of Differential and Psychopathological Artistic Form -- The Dynamics of Cultural-Perceptual Artistic Form -- Objective Percepts, Objective Values -- Conclusion.
520 _aArnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim. Written as a complete overview of Arnheim’s thinking, it covers fundamental issues of the importance of psychological discussion of the arts, the status of gestalt psychology, the various sense modalities and media, and developmental issues. By proceeding in a direction from general to specific and then proceeding through dynamic processes as they unfold in time (creativity, development, etc.), the book discovers an unappreciated unity to Arnheim’s thinking. Not content to simply summarize Arnheim’s theory, however, Arnheim, Art, and Gestalt goes on to enrich (and occasionally question) Arnheim’s findings with the contemporary results of gestalt-theoretical research from around the world, but especially in Italy and Germany. The result is a workable overview of the psychology of art with bridges built to contemporary research, making Arnheim’s approach living and sustainable.
590 _aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710 2 _aSpringerLink (Servicio en línea)
_9299170
776 0 8 _iEdición impresa:
_z9783211288641
856 4 0 _uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/3-211-30762-1
_zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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