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001			310284
003			MX-SnUAN
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007			cr nn 008mamaa
008			150903s2009 ne | o |||| 0|eng d
020			_a9789048128167 _99789048128167
024	7		_a10.1007/9789048128167 _2doi
035			_avtls000365163
039		9	_a201509031053 _bVLOAD _c201405070408 _dVLOAD _y201402211245 _zstaff
040			_aMX-SnUAN _bspa _cMX-SnUAN _erda
050		4	_aD1-DX301
100	1		_aPantalony, David. _eautor _9350952
245	1	0	_aAltered Sensations : _bRudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris / _cby David Pantalony.
264		1	_aDordrecht : _bSpringer Netherlands, _c2009.
300			_brecurso en línea.
336			_atexto _btxt _2rdacontent
337			_acomputadora _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_aarchivo de texto _bPDF _2rda
490	0		_aArchimedes, New Studies in the History of Science and Technology, _x1385-0180 ; _v24
500			_aSpringer eBooks
520			_aRudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.
590			_aPara consulta fuera de la UANL se requiere clave de acceso remoto.
710	2		_aSpringerLink (Servicio en línea) _9299170
776	0	8	_iEdición impresa: _z9789048128150
856	4	0	_uhttp://remoto.dgb.uanl.mx/login?url=http://dx.doi.org/10.1007/978-90-481-2816-7 _zConectar a Springer E-Books (Para consulta externa se requiere previa autentificación en Biblioteca Digital UANL)
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999			_c310284 _d310284